Trends: Hotel Hub
26 January, 2010
Gone are the days of passing through impersonal hotel lobbies to check in or
out. Now the lobby is an epicenter for everything that takes place in a hotel.
Guests can relax, play, work, eat, and drink. And it’s crucial for designers to
accommodate this spectrum of activities, while also creating a visually
appealing space and anchoring the hotel in its setting by bringing the outdoors
in.
Today's hotel lobby is a place to conduct business, socialize, or
relax. The hotel guest expects the lobby to be well-designed, thought provoking,
flexible, technology friendly, and comfortable. It’s about multiple experiences
that both heighten the senses and create a feeling of calm, depending on the
guests’ needs at any particular moment. As such, the lobby has become the living
room, meeting room, dining room, and chill-out space all in one.
When
CorsoStaicoff completed the renovation of the Hotel Murano in Tacoma, Wash., in
2008, we integrated multipurpose spaces in the lobby by designing a variety of
seating areas defined by raised platforms, fireplaces, columns, dramatic art
installations, and varying ceiling heights. A bar on a raised platform
overlooking the lobby offers both a place to perch and people-watch or grab a
drink over a quiet conversation. Adjacent to the lobby bar, an informal seating
group, centered on a fireplace adorned with a custom, glass sculpture by Brent
Lee Young, provides a spot for both work and play. In the center of the lobby in
a tall atrium space under a large custom chandelier, designed by Massimo
Micheluzzi, is a grouping of informal yet comfortable furnishings amidst the
hustle and bustle. This space often is used for short-term seating, informal
meetings, or simply a hangout for those who want to see and be seen.
CorsoStaicoff achieves a successful multifunctional space within Hotel Murano’s
lobby by providing an open dining experience, both private and semi-private
seating arrangements, proper technology such as Wi-fi access, and signature art
pieces creating a unique yet approachable environment.
Utilizing hotel
lobbies as venues to display art not only creates a unique design that enhances
the guest experience, but also it engages the community through the
commissioning of local artists. The Hotel Max in Seattle, which opened in late
2005, was the first property in which CorsoStaicoff experimented with
commissioning local artists to provide original large-scale conversation pieces
for both the public spaces and guest rooms. A life-sized triptych by Jay
Backstrand installed in the lobby is visible from the street and succinctly
introduces the art theme of the hotel.
CorsoStaicoff coined a movement
called “Maximalism” and published a book that included a biography on the
artists exhibited in the hotel. Each Hotel Max guestroom is equipped with a
book, and the hotel Web site also includes the artists’ work as do the room
keys, business cards, and hotel ad campaigns. The story starts in the lobby but
is far reaching.
The success of the art program Hotel Max led to the
Hotel Murano, where the design team looked to the flourishing local Tacoma art
community for influence. Glass pioneer and Tacoma native Dale Chihuly and the
Tacoma Glass Museum both have been major factors in setting Tacoma apart from
other cities. The design team linked the hotel to the community using glass art
as its vehicle. It was critical that the lobby backdrop be minimal and neutral
to allow the art to be the focus. An exposed concrete structure, expansive
architectural glass, and high ceilings provide an international setting perfect
for dramatic large-scale art.
The lobby collection at Hotel Murano
includes both well-established and up-and-coming artists from the Northwest and
around the world. The beauty and luster of art glass is integrated into
everything from the reception desk to the entry door pulls, designed in
collaboration with glass artist Orefeo Quagliata. The art story is the hero, and
the finish selections support this. At no point is the story diluted—it evolves.
It hits you as you enter the lobby, encouraging you to explore your surroundings
and quietly follows you to your room.
Not only does including local art
help tie the hotel to its setting, but creating an open-air outdoor lobby
actually makes the hotel part of the neighborhood. Outdoor spaces are being
utilized for far more than the swimming pool these days with outdoor lobbies,
event venues, and rooftop gardens becoming more of the norm. When CorsoStaicoff
was commissioned to renovate the Hotel Modera in Portland, Ore., in 2007, the
interior design team worked with architects and landscape architects to
reconfigure the building and its entry sequencing. The porte cochiere was
relocated, the lobby was extended, and a central courtyard was added, replacing
the former parking lot. The lobby floor-to-ceiling glass connects the courtyard
and integrates the indoors with the outdoors.
The hotel restaurant, bar,
meeting spaces, and lobby all spill into the outdoor space creating a dynamic
atmosphere for Hotel Moderna. A collection of seating groups flanking fire pits
offer diverse options for dining, quiet time, or an informal outdoor meeting on
a summer evening. A large living “green wall” runs the length of the courtyard
creating a lush environment doubling as a large evolving art installation
visible from the public spaces and guestrooms. The courtyard is an urban retreat
for not only the guests but also passersby, as well, further engaging the
community in the hotel lobby experience.
Denise Corso is a principal
at CorsoStaicoff
in Portland, Ore., and Seattle.
Trends: Hotel Hub
26 January, 2010
Gone are the days of passing through impersonal hotel lobbies to check in or
out. Now the lobby is an epicenter for everything that takes place in a hotel.
Guests can relax, play, work, eat, and drink. And it’s crucial for designers to
accommodate this spectrum of activities, while also creating a visually
appealing space and anchoring the hotel in its setting by bringing the outdoors
in.
Today's hotel lobby is a place to conduct business, socialize, or
relax. The hotel guest expects the lobby to be well-designed, thought provoking,
flexible, technology friendly, and comfortable. It’s about multiple experiences
that both heighten the senses and create a feeling of calm, depending on the
guests’ needs at any particular moment. As such, the lobby has become the living
room, meeting room, dining room, and chill-out space all in one.
When
CorsoStaicoff completed the renovation of the Hotel Murano in Tacoma, Wash., in
2008, we integrated multipurpose spaces in the lobby by designing a variety of
seating areas defined by raised platforms, fireplaces, columns, dramatic art
installations, and varying ceiling heights. A bar on a raised platform
overlooking the lobby offers both a place to perch and people-watch or grab a
drink over a quiet conversation. Adjacent to the lobby bar, an informal seating
group, centered on a fireplace adorned with a custom, glass sculpture by Brent
Lee Young, provides a spot for both work and play. In the center of the lobby in
a tall atrium space under a large custom chandelier, designed by Massimo
Micheluzzi, is a grouping of informal yet comfortable furnishings amidst the
hustle and bustle. This space often is used for short-term seating, informal
meetings, or simply a hangout for those who want to see and be seen.
CorsoStaicoff achieves a successful multifunctional space within Hotel Murano’s
lobby by providing an open dining experience, both private and semi-private
seating arrangements, proper technology such as Wi-fi access, and signature art
pieces creating a unique yet approachable environment.
Utilizing hotel
lobbies as venues to display art not only creates a unique design that enhances
the guest experience, but also it engages the community through the
commissioning of local artists. The Hotel Max in Seattle, which opened in late
2005, was the first property in which CorsoStaicoff experimented with
commissioning local artists to provide original large-scale conversation pieces
for both the public spaces and guest rooms. A life-sized triptych by Jay
Backstrand installed in the lobby is visible from the street and succinctly
introduces the art theme of the hotel.
CorsoStaicoff coined a movement
called “Maximalism” and published a book that included a biography on the
artists exhibited in the hotel. Each Hotel Max guestroom is equipped with a
book, and the hotel Web site also includes the artists’ work as do the room
keys, business cards, and hotel ad campaigns. The story starts in the lobby but
is far reaching.
The success of the art program Hotel Max led to the
Hotel Murano, where the design team looked to the flourishing local Tacoma art
community for influence. Glass pioneer and Tacoma native Dale Chihuly and the
Tacoma Glass Museum both have been major factors in setting Tacoma apart from
other cities. The design team linked the hotel to the community using glass art
as its vehicle. It was critical that the lobby backdrop be minimal and neutral
to allow the art to be the focus. An exposed concrete structure, expansive
architectural glass, and high ceilings provide an international setting perfect
for dramatic large-scale art.
The lobby collection at Hotel Murano
includes both well-established and up-and-coming artists from the Northwest and
around the world. The beauty and luster of art glass is integrated into
everything from the reception desk to the entry door pulls, designed in
collaboration with glass artist Orefeo Quagliata. The art story is the hero, and
the finish selections support this. At no point is the story diluted—it evolves.
It hits you as you enter the lobby, encouraging you to explore your surroundings
and quietly follows you to your room.
Not only does including local art
help tie the hotel to its setting, but creating an open-air outdoor lobby
actually makes the hotel part of the neighborhood. Outdoor spaces are being
utilized for far more than the swimming pool these days with outdoor lobbies,
event venues, and rooftop gardens becoming more of the norm. When CorsoStaicoff
was commissioned to renovate the Hotel Modera in Portland, Ore., in 2007, the
interior design team worked with architects and landscape architects to
reconfigure the building and its entry sequencing. The porte cochiere was
relocated, the lobby was extended, and a central courtyard was added, replacing
the former parking lot. The lobby floor-to-ceiling glass connects the courtyard
and integrates the indoors with the outdoors.
The hotel restaurant, bar,
meeting spaces, and lobby all spill into the outdoor space creating a dynamic
atmosphere for Hotel Moderna. A collection of seating groups flanking fire pits
offer diverse options for dining, quiet time, or an informal outdoor meeting on
a summer evening. A large living “green wall” runs the length of the courtyard
creating a lush environment doubling as a large evolving art installation
visible from the public spaces and guestrooms. The courtyard is an urban retreat
for not only the guests but also passersby, as well, further engaging the
community in the hotel lobby experience.
Denise Corso is a principal
at CorsoStaicoff
in Portland, Ore., and Seattle.
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